Tender Is the Night Page 73

XIX

For an hour, tied up with his profound reaction to his father’s death, the magnificent façade of the homeland, the harbor of New York, seemed all sad and glorious to Dick, but once ashore the feeling vanished, nor did he find it again in the streets or the hotels or the trains that bore him first to Buffalo, and then south to Virginia with his father’s body. Only as the local train shambled into the low-forested clayland of Westmoreland County, did he feel once more identified with his surroundings; at the station he saw a star he knew, and a cold moon bright over Chesapeake Bay; he heard the rasping wheels of buckboards turning, the lovely fatuous voices, the sound of sluggish primeval rivers flowing softly under soft Indian names.

Next day at the churchyard his father was laid among a hundred Divers, Dorseys, and Hunters. It was very friendly leaving him there with all his relations around him. Flowers were scattered on the brown unsettled earth. Dick had no more ties here now and did not believe he would come back. He knelt on the hard soil. These dead, he knew them all, their weather-beaten faces with blue flashing eyes, the spare violent bodies, the souls made of new earth in the forest-heavy darkness of the seventeenth century.

“Good-by, my father—good-by, all my fathers.”

On the long-roofed steamship piers one is in a country that is no longer here and not yet there. The hazy yellow vault is full of echoing shouts. There are the rumble of trucks and the clump of trunks, the strident chatter of cranes, the first salt smell of the sea. One hurries through, even though there’s time; the past, the continent, is behind; the future is the glowing mouth in the side of the ship; the dim, turbulent alley is too confusedly the present.

Up the gangplank and the vision of the world adjusts itself, narrows. One is a citizen of a commonwealth smaller than Andorra, no longer sure of anything. The men at the purser’s desk are as oddly shaped as the cabins; disdainful are the eyes of voyagers and their friends. Next the loud mournful whistles, the portentous vibration and the boat, the human idea—is in motion. The pier and its faces slide by and for a moment the boat is a piece accidentally split off from them; the faces become remote, voiceless, the pier is one of many blurs along the water front. The harbor flows swiftly toward the sea.

With it flowed Albert McKisco, labelled by the newspapers as its most precious cargo. McKisco was having a vogue. His novels were pastiches of the work of the best people of his time, a feat not to be disparaged, and in addition he possessed a gift for softening and debasing what he borrowed, so that many readers were charmed by the ease with which they could follow him. Success had improved him and humbled him. He was no fool about his capacities—he realized that he possessed more vitality than many men of superior talent, and he was resolved to enjoy the success he had earned. “I’ve done nothing yet,” he would say. “I don’t think I’ve got any real genius. But if I keep trying I may write a good book.” Fine dives have been made from flimsier spring-boards. The innumerable snubs of the past were forgotten. Indeed, his success was founded psychologically upon his duel with Tommy Barban, upon the basis of which, as it withered in his memory, he had created, afresh, a new self-respect.

Spotting Dick Diver the second day out, he eyed him tentatively, then introduced himself in a friendly way and sat down. Dick laid aside his reading and, after the few minutes that it took to realize the change in McKisco, the disappearance of the man’s annoying sense of inferiority, found himself pleased to talk to him. McKisco was “well-informed” on a range of subjects wider than Goethe’s—it was interesting to listen to the innumerable facile combinations that he referred to as his opinions. They struck up an acquaintance, and Dick had several meals with them. The McKiscos had been invited to sit at the captain’s table but with nascent snobbery they told Dick that they “couldn’t stand that bunch.”

Violet was very grand now, decked out by the grand couturières, charmed about the little discoveries that well-bred girls make in their teens. She could, indeed, have learned them from her mother in Boise but her soul was born dismally in the small movie houses of Idaho, and she had had no time for her mother. Now she “belonged”—together with several million other people—and she was happy, though her husband still shushed her when she grew violently naïve.

The McKiscos got off at Gibraltar. Next evening in Naples Dick picked up a lost and miserable family of two girls and their mother in the bus from the hotel to the station. He had seen them on the ship. An overwhelming desire to help, or to be admired, came over him: he showed them fragments of gaiety; tentatively he bought them wine, with pleasure saw them begin to regain their proper egotism. He pretended they were this and that, and falling in with his own plot, and drinking too much to sustain the illusion, and all this time the women, thought only that this was a windfall from heaven. He withdrew from them as the night waned and the train rocked and snorted at Cassino and Frosinone. After weird American partings in the station at Rome, Dick went to the Hotel Quirinal, somewhat exhausted.

At the desk he suddenly stared and upped his head. As if a drink were acting on him, warming the lining of his stomach, throwing a flush up into his brain, he saw the person he had come to see, the person for whom he had made the Mediterranean crossing.

Simultaneously Rosemary saw him, acknowledging him before placing him; she looked back startled, and, leaving the girl she was with, she hurried over. Holding himself erect, holding his breath, Dick turned to her. As she came across the lobby, her beauty all groomed, like a young horse dosed with Black-seed oil, and hoops varnished, shocked him awake; but it all came too quick for him to do anything except conceal his fatigue as best he could. To meet her starry-eyed confidence he mustered an insincere pantomime implying, “You WOULD turn up here—of all the people in the world.”

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