Ripped Page 38

“What did you think it was?” He grins and lifts his hand to retrieve it from me, but I quickly move away, deciding to take another quick hit.

Jax laughs and pounds my back when I cough. “Easy, Miss Jones,” he says.

“Oh, puleeze. I’m not Miss Jones.”

“Well that’s what everybody calls you ’round here.” He grins at me, and I notice he has the strangest shade of eyes I’ve ever seen. They’re violet. “We feel like we know you, being that Jones sings about you and him and all,” he drawls out, acting quite brotherly to me now.

“They’re all lies, I tell you. Wait till you hear what I have to say about him.” I nod direly, and he lets out a booming laugh.

From out of nowhere, Lionel grabs the cigarette and stubs it out. “Get rid of this, Jax. Jesus F Christ, how many times must I tell you?”

“Umm. Once more?”

Leo scowls at him and turns to me. “Want to watch the concert from the front row?” Clearly noticing my hesitation, he ushers me toward the doors leading out to the stadium. “Come on. It’ll be fun for you, and one less thing for me to worry about. I don’t want Kenna distracted. He’s already obsessing over what wig to wear tonight.”

“He looks ridiculous either way, so tell him he might as well go for a Mohawk,” I say drolly as I follow him outside.

I guess I knew there could be repercussions to being in the front row: listening to the crowd clamor, “CRACK BIKINI!” as he walks in, the Vikings pop out, and the music builds . . . slow at first—like foreplay—then races toward a musical orgasm that grabs you in a choke hold and doesn’t let go. I should have known my body would betray me, just like last time. I should have known I’d feel hot and bothered and confused . . .

Just like last time.

But Mackenna? He wears a spiky blue mohawk over his buzz cut, and the things that does to me. Is he teasing me, or indulging me? He’s just so good at what he does. The crowd is hyped, and he greets them all with a low chuckle and a vigorous yell.

“Aren’t you a noisy crowd tonight!”

The crowd responds by yelling louder, and after a short interlude from the orchestra, he gets into position at the center of the stage and starts to sing.

My body reverberates with the music. With his voice.

He sings with incredible focus—and one of the things I most marvel at is that he never just stands there. His body is always on the move, rippling muscles and fluid movements that have to be deceptively strong. Those leaps he makes . . . how he leaps from one level of the stage to the other and flips in the air . . . I need to consciously fill my lungs. They’ve stopped working on automatic.

And, as if the sight of him isn’t enough, the sound of his voice bolts through my body and makes my blood pump furiously in my veins. His voice is so deep and masculine, you cannot be both a woman and unaffected. He sings from the heart, and you can see it—feel it—in every word. When he sings “Pandora’s Kiss,” I can hear the anger in the song, even in the mad strike of the twins’ guitars . . . and my own anger, frustration, and pain rise up to meet Mackenna’s sudden frown.

He looks at me with pained eyes, and my stomach plummets when he keeps singing without looking away from me. Those wolf eyes have hunted me down in the crowd, snagged and captured me. He’s stopped dancing too. The dancers dance behind him, but he just sings, and looks at me, and sings, “I shouldn’t have opened you up, Pandora . . .”

As he sings his frustration and regrets to me, I know it’s for the cameras.

It has to be.

I’m confused. Confused when his anger and mine mix in a powerful combination that brings forth an undeniable, electric spark of lust. People scream, the music vibrating in all of us, but in me it’s tangled up like another being. Breathing. Pulsing. Beating.

As the music continues, Liv and Tit come up to his sides and start rubbing up his chest. He’s ignoring them, still singing while their fingers trace his nipples and chest. Just like I will in Madison Square Garden. If I don’t puke from the nerves first.

Tit looks at me from upstage. It’s a brief flick of her eyes that everyone else would miss—even me, if I weren’t so engrossed by what they’re doing to him—then she leans and licks his nipple. Jealousy flits through me as his voice rumbles through my body, spinning me into a frenzy to the point where I want to go and scream at the bitch, “He was mine first!”

He turns and moves against Tit, looking at her now as he sings, and strangely I feel the absence of his eyes like a punch in the gut. But then the guitars come in for their turn, and when his stare comes back to me, I’m charged with a thousand watts. The night progresses and his attention keeps straying to see that I’m watching him, and I feel . . . sexy, wanted, womanly. I remember how Brooke used to sit when her husband spotted her from the boxing ring. I used to think how ridiculous it was to be so stunned and excited. Yet here I am, trapped in my seat. In trying to show how tough I am, I’ve repressed the sensual side of me for so long that it feels good to embrace it now. Aware that he’s watching, I close my eyes and lose myself to the music, somehow feeling the shift in his voice.

When this last song is done, I open my eyes to see him whispering something to someone. One of the roadies comes out and ushers me backstage.

“What’s going on?” I ask, confused.

“Kenna gets a water and costume change. He wants you there.”

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