I’ve passed by Veronica’s downtown tattoo shop dozens of times, so I know where it is, I’ve just never been inside. I pull the truck into a spot a few businesses down and turn the engine off. My stomach is doing all kinds of flips.

Why? Why does everything have to be so dramatic? I know the guys have secrets, but I just assumed that the secrets were about the hacking stuff they do. Did. Do. I’m not sure if they still do that shit or not. Obviously they did it for me, but whether or not they’re doing it for someone else right now, I have no idea.

But stealing from deadbeats and selling human slaves are two very different things.

It doesn’t add up.

I am kicking myself for not taking those papers from Gage right now. At least then I could read the whole thing. Because last time Gage said they were accused of murdering someone and got away with it. So when you combine all the shit Ronin is being accused of human trafficking, murder, grand larceny, and selling blow.

I have no idea what this means, but I’m not buying it one bit. It’s total bullshit.

I get out of the truck, wait for a few cars to pass by, then jog across the street and head up towards the tattoo place. I stop outside and look up at the sign. It says Sick Boys Inc. According to Spencer, Veronica Vaughn is the youngest non-Y chromosome member of the Sick Boys gang and she, her father, and all four of her brothers work at this shop. Apparently she is just one of the Boys around here, because from the sign you’d never know there was a girl inside doing ink.

It’s dark out now and the lights are on, but I can’t see anything because the front windows are frosted up like they belong in a bathroom. So all I can make out is a large blurry shadow and the faint buzzing of a tattoo machine.

I pull the door open and walk in, get slightly disoriented by the massive wall of tattoo photos that practically slams me in the face, and then startle at the voice to my right.

“Shrike Fucking Bikes? Roonnnnnnn-eeeeeee,” the guy bellows out in a deep voice. “Spencer’s Blackbird is here!”

I turn around to see someone who is probably one of the Sick Boys and look him up and down. He’s huge, for one. Massive. Like over six foot two. And his tatted-up biceps are bulging out from a t-shirt that hugs every spectacular muscle on his upper body. His light hair is cropped close, military-style, and his dark eyes convey a roughness that matches the scruff on his chin. “Who the hell are you? And how do you know who I am?”

“Vic Vaughn, and your name’s on the sleeve of your jacket and the backside says Shrike Fucking Bikes. Not Shrike insert-expletive-here-because-we-are-so-cool, but actual Shrike Fucking Bikes. Like that’s the name of his business. And only Spencer Shrike would put ‘fuck’ in the name of his business on the back of a jacket. You don’t need to be Cujo to figure that one out.”

I squint up at him because that just makes no sense, then look down at my jacket sleeves. One is painted up to say Blackbird and the other says Gidget. I automatically get a little protective of Spence and retaliate appropriately. “Cujo is a nasty-ass, rabies-ridden dog. You’re thinking of Columbo. And this is a pretty hot f**king jacket if you ask me.”

Vic Vaughn winks at me. “So’s the girl inside, even if you didn’t ask me. And I was just testing you on that Cujo thing. I heard you’re a film freak. You should come by the FoCo Cinema sometime, me and the boys wouldn’t mind gettin’ ya in the dark for a movie.”

“Shut up, Victor,” Veronica says as she comes around a corner dressed like she’s doing a root canal back there. She’s wearing pink scrubs, a white lab coat, a pink visor with a clear plastic face shield that she flips up as she approaches, and a blue mask over her mouth. “Hey, Rook, come by for your free tat?” she says through the mask, making it puff out a little with each word.

“Uh, no.” I stammer for a moment because her get-up is pretty distracting. “Actually, I was wondering if you had a minute to talk. About…” I look over at Vic, and then cover my mouth and whisper, “Spencer, Ronin, and Ford.”

“Hey, Blackbird? You’re like two feet away, I can still hear you. Well, Ronnie, I win this bet. I said a week and it’s been”—he looks over at the calendar—“nine days.”

We both ignore that remark and I change the subject and point to her clothes. “What’s with the outfit, Veronica?”

She absently looks down at herself. “Blood-borne pathogens. Did you know that an ink machine can spray minute particles of blood into the air and you breathe it in if you don’t protect yourself?” Veronica grabs my arm and pulls me to the back of the shop. We pass a few more rooms, each with tattoo machines buzzing—but all of the male Sick Boys look like regular ink artists with their t-shirts, jeans, and tatted-up arms.

“Come on back, Rook. I’ve got a guy in the chair, but he’s such a pu**y, he can use the distraction.” She drags me into a small room that looks like a cross between a hospital surgery room with the different doctor office-type stuff lined up neatly on a long counter, and Fran the Nanny’s mother’s living room—because just about every single surface is covered in plastic.

You could kill someone in here, Murder by Numbers style, and just roll it all up in plastic and toss it in the dumpster when you were done.

I shiver.

A very large biker who has half his arm bubbling up dots of blood from the partially finished tattoo shifts in his chair and makes the plastic crinkle. “You get used to it,” he says matter-of-factly, panning a hand up at the sheeting that covers the flat screen on the wall. I spy Milla Jovovich with orange hair so I’m pretty sure it’s The Fifth Element playing, but it’s hard to see through the wrinkles. “She’s got a germ issue and a blood phobia.”