His shoulders moved. "I'm a man. Is this tea?" He lifted the pot and sniffed at the contents while she continued to gape at him. "It's too hot for tea. You have something cold?"

Shaking her head, she pressed her intercom. "Janine, bring in something cold for Mr. Stanislaski, please." Because she had a nagging urge to get up and inspect herself in a mirror, she cleared her throat. "There's quite a line of demarcation between your must and your should list, Mr.—"

"Mikhail," he said easily. "It's because there are more things you should do than things you must. Like life."

"Now a philosopher," she muttered. "We'll start with the must, and perhaps incorporate some of the should. If we work quickly, we could have a contract by the end of the week."

His nod was slow, considering. "You, too, work fast."

"When necessary. Now first, I'd like you to explain to me why I should replace all the windows."

"Because they're single glazed and not efficient."

"Yes, but—"

"Sydney, dear, the lighting in there is just ghastly. Oh." Margerite stopped at the doorway. "I beg your pardon, I see you're in a meeting." She would have looked down her nose at Mikhail's worn jeans, but she had a difficult time getting past his face. "How do you do?" she said, pleased that he had risen at her entrance.

"You are Sydney's mother?" Mikhail asked before Sydney could shoo Margerite along.

"Why, yes." Margerite's smile was reserved. She didn't approve of her daughter being on a first-name basis in her relationships with the help. Particularly when that help wore stubby ponytails and dirty boots. "How did you know?"

"Real beauty matures well."

"Oh." Charmed, Margerite allowed her smile to warm fractionally. Her lashes fluttered in reflex. "How kind."

"Mother, I'm sorry, but Mr. Stanislaski and I have business to discuss."

"Of course, of course." Margerite walked over to kiss the air an inch from her daughter's cheek. "I'll just be running along. Now, dear, you won't forget we're to have lunch next week? And I wanted to remind you that… Stanislaski," she repeated, turning back to Mikhail. "I thought you looked familiar. Oh, my." Suddenly breathless, she laid a hand on her heart. "You're Mikhail Stanislaski?"

"Yes. Have we met?"

"No. Oh, no, we haven't, but I saw your photo in Art/ World. I consider myself a patron." Face beaming, she skirted the desk and, under her daughter's astonished gaze, took his hands in hers. To Margerite, the ponytail was now artistic, the tattered jeans eccentric. "Your work, Mr. Stanislaski—magnificent. Truly magnificent. I bought two of your pieces from your last showing. I can't tell you what a pleasure this is."

"You flatter me."

"Not at all," Margerite insisted. "You're already being called one of the top artists of the nineties. And you've commissioned him." She turned to beam at her speechless daughter. "A brilliant move, darling."

"I—actually, I—"

"I'm delighted," Mikhail interrupted, "to be working with your daughter."

"It's wonderful." She gave his hands a final squeeze. "You must come to a little dinner party I'm having on Friday on Long Island. Please, don't tell me you're already engaged for the evening." She slanted a look from under her lashes. "I'll be devastated."

He was careful not to grin over her head at Sydney. "I could never be responsible for devastating a beautiful woman."

"Fabulous. Sydney will bring you. Eight o'clock. Now I must run." She patted her hair, shot an absent wave at Sydney and hurried out just as Janine brought in a soft drink.

Mikhail took the glass with thanks, then sat again. "So," he began, "you were asking about windows."

Sydney very carefully relaxed the hands that were balled into fists under her desk. "You said you were a carpenter."

"Sometimes I am." He took a long, cooling drink. "Sometimes I carve wood instead of hammering it."

If he had set out to make a fool of her—which she wasn't sure he hadn't—he could have succeeded no better. "I've spent the last two years in Europe," she told him, "so I'm a bit out of touch with the American art world."

"You don't have to apologize," he said, enjoying himself.

"I'm not apologizing." She had to force herself to speak calmly, to not stand up and rip his bid into tiny little pieces. "I'd like to know what kind of game you're playing, Stanislaski."

"You offered me work, on a job that has some value for me. I am accepting it."

"You lied to me."

"How?" He lifted one hand, palm up. "I have a contractor's license. I've made my living in construction since

I was sixteen. What difference does it make to you if people now buy my sculpture?"

"None." She snatched up the bids again. He probably produced primitive, ugly pieces in any case, she thought. The man was too rough and unmannered to be an artist. All that mattered was that he could do the job she was hiring him to do.

But she hated being duped. To make him pay for it, she forced him to go over every detail of the bid, wasting over an hour of his time and hers.

"All right then." She pushed aside her own meticulous notes. "Your contract will be ready for signing on Friday."

"Good." He rose. "You can bring it when you pick me up. We should make it seven."

"Excuse me?"

"For dinner." He leaned forward. For a shocking moment, she thought he was actually going to kiss her. She went rigid as a spear, but he only rubbed the lapel of her suit between his thumb and forefinger. "You must wear something with color."

She pushed the chair back and stood. "I have no intention of taking you to my mother's home for dinner."

"You're afraid to be with me." He said so with no little amount of pride.

Her chin jutted out. "Certainly not."

"What else could it be?" With his eyes on hers, he strolled around the desk until they were face-to-face. "A woman like you could not be so ill-mannered without a reason."