“No.”

The girl’s voice took on the edge of a blade sharpened on a stone. “You can’t see her. She’s busy. If you don’t want a girl or something else, you’d better go away.”

“Well, will you tell her I’m here?”

“Does she know you?”

“I don’t know.” He felt his courage going. This was a remembered cold. “I don’t know. But will you tell her that Adam Trask would like to see her? She’ll know then whether I know her or not.”

“I see. Well, I’ll tell her.” She moved silently to a door on the right and opened it. Adam heard a few muffled words and a man looked through the door. The girl left the door open so that Adam would know he was not alone. On one side of the room heavy dark portieres hung over a doorway. The girl parted the deep folds and disappeared. Adam sat back in his chair. Out of the side of his eyes he saw the man’s head thrust in and then withdrawn.

Kate’s private room was comfort and efficiency. It did not look at all like the room where Faye had lived. The walls were clad in saffron silk and the drapes were apple green. It was a silken room—deep chairs with silk-upholstered cushions, lamps with silken shades, a broad bed at the far end of the room with a gleaming white satin cover on which were piled gigantic pillows. There was no picture on the wall, no photograph or personal thing of any kind. A dressing table near the bed had no bottle or vial on its ebony top, and its sheen was reflected in triple mirrors. The rug was old and deep and Chinese, an apple-green dragon on saffron. One end of the room was bedroom, the center was social, and the other end was office—filing cabinets of golden oak, a large safe, black with gold lettering, and a rolltop desk with a green-hooded double lamp over it, a swivel chair behind it and a straight chair beside it.

Kate sat in the swivel chair behind the desk. She was still pretty. Her hair was blond again. Her mouth was little and firm and turned up at the corners as always. But her outlines were not sharp anywhere. Her shoulders had become plump while her hands grew lean and wrinkled. Her cheeks were chubby and the skin under her chin was crepe. Her breasts were still tiny, but a padding of fat protruded her stomach a little. Her hips were slender, but her legs and feet had thickened so that a bulge hung over her low shoes. And through her stockings, faintly, could be seen the wrappings of elastic bandage to support the veins.

Still, she was pretty and neat. Only her hands had really aged, the palms and fingerpads shining and tight, the backs wrinkled and splotched with brown. She was dressed severely in a dark dress with long sleeves, and the only contrast was billowing white lace at her wrists and throat.

The work of the years had been subtle. If one had been near by it is probable that no change at all would have been noticed. Kate’s cheeks were unlined, her eyes sharp and shallow, her nose delicate, and her lips thin and firm. The scar on her forehead was barely visible. It was covered with a powder tinted to match Kate’s skin.

Kate inspected a sheaf of photographs on her rolltop desk, all the same size, all taken by the same camera and bright with flash powder. And although the characters were different in each picture, there was a dreary similarity about their postures. The faces of the women were never toward the camera.

Kate arranged the pictures in four piles and slipped each pile into a heavy manila envelope. When the knock came on her door she put the envelopes in a pigeonhole of her desk. “Come in. Oh, come in, Eva. Is he here?”

The girl came to the desk before she replied. In the increased light her face showed tight and her eyes were shiny. “It’s a new one, a stranger. He says he wants to see you.”

“Well, he can’t, Eva. You know who’s coming.”

“I told him you couldn’t see him. He said he thought he knew you.”

“Well, who is he, Eva?”

“He’s a big gangly man, a little bit drunk. He says his name is Adam Trask.”

Although Kate made no movement or sound Eva knew something had struck home. The fingers of Kate’s right hand slowly curled around the palm while the left hand crept like a lean cat toward the edge of the desk. Kate sat still as though she held her breath. Eva was jittery. Her mind went to the box in her dresser drawer where her hypodermic needle lay.

Kate said at last, “Sit over there in that big chair, Eva. Just sit still a minute.” When the girl did not move Kate whipped one word at her. “Sit!” Eva cringed and went to the big chair.

“Don’t pick your nails,” said Kate.

Eva’s hands separated, and each one clung to an arm of the chair.

Kate stared straight ahead at the green glass shades of her desk lamp. Then she moved so suddenly that Eva jumped and her lips quivered. Kate opened the desk drawer and took out a folded paper. “Here! Go to your room and fix yourself up. Don’t take it all—no, I won’t trust you.” Kate tapped the paper and tore it in two; a little white powder spilled before she folded the ends and passed one to Eva. “Now hurry up! When you come downstairs, tell Ralph I want him in the hall close enough to hear the bell but not the voices. Watch him to see he doesn’t creep up. If he hears the bell—no, tell him—no, let him do it his own way. After that bring Mr. Adam Trask to me.”

“Will you be all right, Miss Kate?”

Kate looked at her until she turned away. Kate called after her, “You can have the other half as soon as he goes. Now hurry up.”

After the door had closed Kate opened the right-hand drawer of her desk and took out a revolver with a short barrel. She swung the cylinder sideways and looked at the cartridges, snapped it shut and put it on her desk, and laid a sheet of paper over it. She turned off one of the lights and settled back in her chair. She clasped her hands on the desk in front of her.