Though I do love trail mix …

“Ooh, check it,” I say, pulling out a book with a familiar triangle pressed into the leather cover. “It’s another journal.” I flip it open, expecting Rebecca’s flowery script, but a bold, masculine hand greets me instead. “I think this was Quinn’s.”

There’s no name on the front cover, but the second page has a list of names and dates, with Quinn’s name at the top. There are no repeating surnames and there doesn’t seem to be a pattern—though they do go backward until 1568. Then there are three more names without dates.

I turn the page and hold the book out at arm’s length as I’m greeted with words three times the size of the precise list on the previous page.

If you are not friend to me, then the gods have mercy on your damned soul if you read on.

My eyes are wide as I reread the words. “Benson?”

“There’s a painting and a pocket watch in here too. Weird.”

“Benson?”

“Hey, this painting has a house on it. What do you want to bet it’s the—”

“Benson!”

He looks up and I turn the book to him. “Am I a friend?” Friend to a ghost?

Benson raises an eyebrow. “Do you think it really matters? He’s dead.”

“He’s already haunted me for a week!” I retort shrilly, though haunting isn’t really the right word for it.

Still, Benson freezes. “You’ve got a point.” He purses his lips. “He did show you the combination. I think that’s a pretty good sign that he doesn’t mind if you read this.”

I nod, but adrenaline makes my fingers tremble as I turn the page and the writing returns to normal.

I am Quinn Avery. I am Earthbound. I am a Creator. If you are reading these words, I pray thou be a trusted friend or mine own reborn. Within this box find ye the tools needed to restore me. But when ye have, seek and find Rebecca. Nothing in this wide world is of greater import. Find her. Give her the necklace.

“Rebecca.” I whisper her name quietly, feeling it burn on my tongue. He wants me to find her? Her ghost, I guess. Why? So they can live ghostily ever after? I force my fingers to relax when I realize I’m gripping the journal so hard I’m beginning to bow the covers.

“So—” Benson hesitates. “So you were right. He’s also an Earthbound. Was. You know.”

I ignore the unspoken declaration that that means I’m an Earthbound too. I don’t know what that means and I’m not sure I’m ready to find out.

“I wonder if his stuff also disappears,” I muse quietly.

“Well, next time you see Quinn’s ghost, you should ask him,” Benson says, peering back into the crate.

“He doesn’t answer questions,” I say, flipping through the journal only to find that it’s blank after about the first ten pages.

“You said you had conversations with him.”

“I thought they were conversations, but everything he ever said to me I can find in Rebecca’s diary. It’s like …” I let the journal rest in my lap. “Like he’s not a ghost so much as an echo of the past. I think that’s why he called me Becca, even though I told him my name was Tavia.” I remember how angry it made me. Now I feel strangely apathetic.

Briefly I wonder what that means about me, but I have too many other questions to answer first. Bigger questions. Much bigger.

I turn my attention back to the journal. “Hey, look!”

Benson turns to peer over the pages with me as I point to two carefully drawn symbols.

“It’s the one from the files in Reese’s office,” I say, pointing to a drawing of the feather and the flame with the word Curatoria written beneath it. “That’s the word Elizabeth used. I guess it’s a name, not a word.”

“Makes sense,” Benson says quietly.

“I wonder. I don’t have my phone anymore, but a couple days ago I took a picture of a really worn-down symbol on a building in Portsmouth. It was so faded I could only see something round over something with wavy lines. But it definitely could have been this symbol.”

I move my finger to the opposite page. “But not this one. It’s totally the wrong shape.” This one is an ankh, but instead of the circle at the top connecting, one side curves out and makes the shape of a shepherd’s crook instead. “Reduciata,” I say. “Jay and Elizabeth both said that one.” I try to read, but Benson keeps moving the light back to the box he broke into.

“Look at this,” he says, tilting a small framed painting up for me to see. It’s clearly done by the same artist as the others on the table, but this one is much smaller and it’s the only one we’ve found in a frame. It’s of a yellow house nestled in a grove of trees that are about halfway through the autumn change. “I bet it’s the house he was killed in.”

“He wasn’t killed there.” The words are out of my mouth before I have a chance to consider them.

I gape at Benson—how did I know that?—and reach for the painting. As soon as my fingers touch the brittle edges of the oil paint, I’m bombarded by an avalanche of distorted images and blended sensations.

“It was a trick,” I manage to say as the barrage of sensation breaks my focus. My fingers wrap around the frame, gripping it tighter as words pour from my mouth and I can almost feel Quinn again, somewhere in the distortion and noise, but I’m nearly deafened by a scratching buzz, blinded by billowing fog. “They were never really in danger—not from the guns—but they had to … had to … I can’t! Help me, Benson!” I’m holding the painting out to him, but I can’t make my fingers let go as the sensation of fire licks up my arms and rattling static fills my ears.