If it’s a chicken, you behead it. A goat, you slit its throat ear to ear. A cow is too big for either if I wanted a clean kill. I stroked my hand down the side of its neck while Nicky continued to scratch its head. Its neck was surprisingly soft to the touch, or the hair was. I found the big pulse, thudding thick and sure against my fingers. A bigger animal seems to have a bigger pulse; maybe it’s just because the heart is bigger, but this was sure and certain. I had a moment to think, I could do this without killing the cow. I could cut my own flesh, use my own blood, but the zombie wouldn’t be as solid. Over a hundred years was too old to be brought back by just a few drops of my own blood and guarantee it could answer questions. The historical society had questions and they were paying for answers. I could have cut Nicky’s arm and had him walk the circle with me. It would work, and the zombie would be very, very alive, or that had been what happened the only time I’d used Micah’s blood to walk a circle. The zombie had been too alive. It had almost killed me trying to break the circle of my power. Of course, with Micah by my side the whole cemetery had been more alive. He was my Nimir-Raj, my leopard king, and our bond was more intimate than Nicky being my Bride. But that zombie had only been weeks dead, so probably even Micah wouldn’t be able to help me this time with just a cut to drip blood on the grave.

Even if I took the cow back, they’d simply kill her there. It wasn’t a choice of the cow living; it was a choice of how she died. Here she would die to raise the dead and help clear up historical inaccuracies. At the slaughterhouse she’d die just to be animal food. There, I’d called her she again. It wasn’t like me to be sentimental about the sacrifices. But the pulse under my hand was so certain of itself. She might be past milk production, but this was a healthy animal and she’d live for years if someone gave her the chance. I shook my head, hard. Stop it, Anita, just stop it. But I was beginning to remember why I preferred chickens. I never seemed to feel as sympathetic to them.

“You all right?” Nicky asked.

I glanced up at him and nodded. “Fine,” I said, and wasn’t sure if it was the truth, but whatever my feelings I knew my job. “Shield her eyes on this side so she doesn’t see the blade flash in the moonlight.”

I didn’t have to ask him twice; he handed the halter rope to Dino and put his free hand near her eye, cupping it so her vision was obscured. He kept scratching her forehead the whole time, and she lowered her head so he could reach more spots. For a cow, there are worse ways to go.

I knelt by my leather satchel. It was a leather overnight bag, vaguely in the shape of a gym bag. Once a real gym bag had been what I’d carried my zombie-raising equipment in, but for last Christmas Jean-Claude had gotten me this. It was a nice bag, a really nice bag, too nice a bag for all the blood and death it was surrounded with. I’d taken it graciously and used it religiously, but I didn’t like it. The things you do when you’re in a committed relationship. Sigh. It was a really nice bag.

The leather smelled rich and warm in the summer night as I opened it up. I realized it was the final product of another cow. I wasn’t sure if that was ironic or disturbing. I got two things out of the satchel: a bowl and a blade. The bowl was smooth ceramic, handmade by an artist here in Missouri. The color was shades of blue from pale to almost black. The finish made it gleam in the moonlight. I could have caught the blood in anything, but it seemed respectful to use something special. The bowl was bigger than my normal one but was just a nicely made bowl. There was no magic to it. My machete was wrapped in its newly made sheath, so that the blade didn’t slide around and damage the nice cloth and leather interior of the new satchel. I thought about having Dino hold the bowl for me, but I wanted his hands free in case the cow got frisky. I placed the bowl on the grass at the edge of the grave.

I unfastened the blade catch and drew the machete out. It was as long as my forearm, dull silver gleaming in the light of the moon. The moment it was bare there was a pulse of power from it, as if it had its own heartbeat. It didn’t keep beating, though, just that one pulse. It had never done that when it was loose in my bag. Something about sheathing it and unsheathing it made it happen. I’d talked to my spiritual mentor, Marianne, who among other things was a practicing witch, as well as Wiccan. You can be a witch and not be Wiccan, but you can’t be Wiccan and not be a witch, sort of like all poodles are dogs, but not all dogs are poodles, or something like that. Marianne wasn’t sure why the machete was reacting to being sheathed. She’d asked me to bring it with me next time I visited her in Tennessee, so she could look at it in person.

I found that thick pulse again with my free hand. I didn’t need to test the point or edge of the machete; I sharpened it myself and knew it was razor ready. I picked up the bowl and balanced it in the flat of my hand, holding it where the blood would pour into it. I said a brief prayer, thanking the animal for giving food all its life and for this moment, for being a sacrifice and helping us raise the long dead. With the prayer came a sense of calmness for me, and I drew back the machete, eyed the point that was my target on the thick neck, and plunged the blade in fast, hard, and deep. Hesitation was disastrous for the sacrifice’s sake. The magic didn’t care how the animal died; slow death raised the dead just as easily as quick.

I drew the blade up and out, so the cut was wide. Blood poured out of the wound, splashing and dripping into and around the bowl, and over my hand and arm. It was very warm, hot even, because a cow’s temperature is hotter than a human’s. It makes most fresh animal blood hot to the touch at least for those few seconds before it hits the air and begins to cool, but there was so much blood that it just stayed hot.

The cow went down without a sound, its knees buckling. The front of it sank to the ground first. Dino kept the halter rope tight and Nicky continued to shield its eye, so it wouldn’t see the blood. Dino was a huge shape on the other side of the animal, waiting to see if he was needed for more. I knelt with the wound, catching as much blood as I could in the bowl. We didn’t need this much to draw the circle, but blood is always precious and if you take something’s life you should treat the blood with respect. The cow’s back end just seemed to collapse all at once, and I had to move backward on the balls of my feet as the big animal slid to one side toward me. Blood splashed over the edge of the already bloody bowl, soaking the front of my coveralls. That was why I wore them.

I got to my feet, bloody machete in one hand and the blood-drenched bowl in the other. The front of me was black with blood, and there had been enough of it that it felt like it was trying to seep through the coveralls and onto my clothes. I hoped it didn’t soak through, but there was nothing I could do about it until the ceremony was complete.

“Well done,” Dino said.

“I do my best,” I said, but my voice was already growing distant. I was only half paying attention, because I was about to lower my metaphysical shields so I could raise the dead, and I wanted to do it. My necromancy was like a horse that had been in its stall too long. It needed to run. It needed to use all that muscle and sinew and run! I was one of only three animators in the country who could have raised something this old without a human sacrifice, which was illegal in almost every country in the world. It was a seller’s market and I was the seller.