"Two hundred repetitions, twice a week from fourteen to sixteen and a half," was all his comment. The mad bad talk rambled on. "I want to know what passion is," she heard him saying. "I want to feel something strongly."

"When the individual feels, the community reels," Lenina pronounced.

"Well, why shouldn't it reel a bit?"

"Bernard!"

But Bernard remained unabashed.

"Adults intellectually and during working hours," he went on. "Infants where feeling and desire are concerned."

"Our Ford loved infants."

Ignoring the interruption. "It suddenly struck me the other day," continued Bernard, "that it might be possible to be an adult all the time."

"I don't understand." Lenina's tone was firm.

"I know you don't. And that's why we went to bed together yesterday–like infants–instead of being adults and waiting."

"But it was fun," Lenina insisted. "Wasn't it?"

"Oh, the greatest fun," he answered, but in a voice so mournful, with an expression so profoundly miserable, that Lenina felt all her triumph suddenly evaporate. Perhaps he had found her too plump, after all.

"I told you so," was all that Fanny said, when Lenina came and made her confidences. "It's the alcohol they put in his surrogate."

"All the same," Lenina insisted. "I do like him. He has such awfully nice hands. And the way he moves his shoulders–that's very attractive." She sighed. "But I wish he weren't so odd."

§ 2

HALTING for a moment outside the door of the Director's room, Bernard drew a deep breath and squared his shoulders, bracing himself to meet the dislike and disapproval which he was certain of finding within. He knocked and entered.

"A permit for you to initial, Director," he said as airily as possible, and laid the paper on the writing-table.

The Director glanced at him sourly. But the stamp of the World Controller's Office was at the head of the paper and the signature of Mustapha Mond, bold and black, across the bottom. Everything was perfectly in order. The director had no choice. He pencilled his initials–two small pale letters abject at the feet of Mustapha Mond–and was about to return the paper without a word of comment or genial Ford-speed, when his eye was caught by something written in the body of the permit.

"For the New Mexican Reservation?" he said, and his tone, the face he lifted to Bernard, expressed a kind of agitated astonishment.

Surprised by his surprise, Bernard nodded. There was a silence.

The Director leaned back in his chair, frowning. "How long ago was it?" he said, speaking more to himself than to Bernard. "Twenty years, I suppose. Nearer twentyfive. I must have been your age ..." He sighed and shook his head.

Bernard felt extremely uncomfortable. A man so conventional, so scrupulously correct as the Director–and to commit so gross a solecism! lt made him want to hide his face, to run out of the room. Not that he himself saw anything intrinsically objectionable in people talking about the remote past; that was one of those hypnopædic prejudices he had (so he imagined)

completely got rid of. What made him feel shy was the knowledge that the Director disapproved–disapproved and yet had been betrayed into doing the forbidden thing. Under what inward compulsion? Through his discomfort Bernard eagerly listened.

"I had the same idea as you," the Director was saying.

"Wanted to have a look at the savages. Got a permit for New Mexico and went there for my summer holiday. With the girl I was having at the moment. She was a BetaMinus, and I think" (he shut his eyes), "I think she had yellow hair. Anyhow she was pneumatic, particularly pneumatic; I remember that. Well, we went there, and we looked at the savages, and we rode about on horses and all that. And then–it was almost the last day of my leave–then ... well, she got lost. We'd gone riding up one of those revolting mountains, and it was horribly hot and oppressive, and after lunch we went to sleep. Or at least I did. She must have gone for a walk, alone. At any rate, when I woke up, she wasn't there. And the most frightful thunderstorm I've ever seen was just bursting on us. And it poured and roared and flashed; and the horses broke loose and ran away; and I fell down, trying to catch them, and hurt my knee, so that I could hardly walk. Still, I searched and I shouted and I searched. But there was no sign of her. Then I thought she must have gone back to the rest-house by herself. So I crawled down into the valley by the way we had come. My knee was agonizingly painful, and I'd lost my soma. It took me hours. I didn't get back to the rest-house till after midnight. And she wasn't there; she wasn't there," the Director repeated. There was a silence. "Well," he resumed at last, "the next day there was a search. But we couldn't find her. She must have fallen into a gully somewhere; or been eaten by a mountain lion. Ford knows. Anyhow it was horrible. It upset me very much at the time. More than it ought to have done, I dare say. Because, after all, it's the sort of accident that might have happened to any one; and, of course, the social body persists although the component cells may change." But this sleep-taught consolation did not seem to be very effective. Shaking his head, "I actually dream about it sometimes," the Director went on in a low voice. "Dream of being woken up by that peal of thunder and finding her gone; dream of searching and searching for her under the trees." He lapsed into the silence of reminiscence.