East of Eden Page 80

Horace went into the sheriff’s office in the old county jail about ten minutes after nine. The sheriff shook hands and discussed the weather and the crops until Horace was ready to get down to business.

“Well, sir,” Horace said finally, “I had to come up to get your advice.” And he told his story in great detail—what everybody had said and how they looked and what time it was—everything.

After a few moments the sheriff closed his eyes and laced his fingers together. He punctuated the account occasionally by opening his eyes, but he made no comment.

“Well, there I was on a limb,” Horace said. “I couldn’t find out what happened. I couldn’t even find out what the woman looked like. It was Julius Euskadi got the idea I should go to see Sam Hamilton.”

The sheriff stirred, crossed his legs, and inspected the job. “You think he killed her.”

“Well, I did. But Mr. Hamilton kind of talked me out of it. He says Trask hasn’t got it in him to kill anybody.”

“Everybody’s got it in him,” the sheriff said. “You just find his trigger and anybody will go off.”

“Mr. Hamilton told me some funny things about her. You know, when he was taking her babies she bit him on the hand. You ought to see that hand, like a wolf got him.”

“Did Sam give you a description?”

“He did, and his wife did.” Horace took a piece of paper from his pocket and read a detailed description of Cathy. Between the two of them the Hamiltons knew pretty much everything physical there was to know about Cathy.

When Horace finished the sheriff sighed. “They both agreed about the scar?”

“Yes, they did. And both of them remarked about how sometimes it was darker than other times.”

The sheriff closed his eyes again and leaned back in his chair. Suddenly he straightened up, opened a drawer of his rolltop desk, and took out a pint of whisky. “Have a drink,” he said.

“Don’t mind if I do. Here’s looking at you.” Horace wiped his mouth and handed back the pint. “Got any ideas?” he asked.

The sheriff took three big swallows of whisky, corked the pint, and put it back in the drawer before he replied. “We’ve got a pretty well-run county,” he said. “I get along with the constables, give them a hand when they need it, and they help me out when I need it. You take a town growing like Salinas, and strangers in and out all the time—we could have trouble if we didn’t watch it pretty close. My office gets along fine with the local people.” He looked Horace in the eye. “Don’t get restless. I’m not making a speech. I just want to tell you how it is. We don’t drive people. We’ve got to live with them.”

“Did I do something wrong?”

“No, you didn’t, Horace. You did just right. If you hadn’t come to town or if you had brought Mr. Trask in, we’d of been in one hell of a mess. Now hold on. I’m going to tell you—”

“I’m listening,” said Horace.

“Over across the tracks down by Chinatown there’s a row of whorehouses.”

“I know that.”

“Everybody knows it. If we closed them up they’d just move. The people want those houses. We keep an eye on them so not much bad happens. And the people that run those houses keep in touch with us. I’ve picked up some wanted men from tips I got down there.”

Horace said, “Julius told me—”

“Now wait a minute. Let me get all this said so we won’t have to go back over it. About three months ago a fine-looking woman came in to see me. She wanted to open a house here and wanted to do it right. Came from Sacramento. Ran a place there. She had letters from some pretty important people—straight record—never had any trouble. A pretty damn good citizen.”

“Julius told me. Name of Faye.”

“That’s right. Well, she opened a nice place, quiet, well run. It was about time old Jenny and the Nigger had some competition. They were mad as hell about it, but I told them just what I told you. It’s about time they had some competition.”

“There’s a piano player.”

“Yes, there is. Good one too—blind fella. Say, are you going to let me tell this?”

“I’m sorry,” said Horace.

“That’s all right. I know I’m slow but I’m thorough. Anyways, Faye turned out to be just what she looks like, a good solid citizen. Now there’s one thing a good quiet whorehouse is more scared of than anything else. Take a flighty randy girl runs off from home and goes in a house. Her old man finds her and he begins to shovel up hell. Then the churches get into it, and the women, and pretty soon that whorehouse has got a bad name and we’ve got to close it up. You understand?”

“Yeah!” Horace said softly.

“Now don’t get ahead of me. I hate to tell something you already thought out. Faye sent me a note Sunday night. She’s got a girl and she can’t make much out of her. What puzzles Faye is that this kid looks like a runaway girl except she’s a goddam good whore. She knows all the answers and all the tricks. I went down and looked her over. She told me the usual bull, but I can’t find a thing wrong with her. She’s of age and nobody’s made a complaint.” He spread his hands. “Well, there it is. What do we do about it?”

“You’re pretty sure it’s Mrs. Trask?”

The sheriff said, “Wide-set eyes, yellow hair, and a scar on her forehead, and she came in Sunday afternoon.”

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